{"id":4967,"date":"2013-09-06T11:22:08","date_gmt":"2013-09-06T15:22:08","guid":{"rendered":"https:\/\/tipiti.biz\/site\/?p=4967"},"modified":"2013-09-06T12:12:01","modified_gmt":"2013-09-06T16:12:01","slug":"cinema-we-love-you-anne-dans-des-salles-improvisees","status":"publish","type":"post","link":"https:\/\/tipiti.biz\/site\/2013\/09\/06\/cinema-we-love-you-anne-dans-des-salles-improvisees\/","title":{"rendered":"Cin\u00e9ma :”We love you Anne”, dans des salles improvis\u00e9es !"},"content":{"rendered":"

\u201cWe love you Anne<\/strong>\u201d\u00a0 \u00a0est enfin disponible pour le grand public. Dans les tiroirs pendant pr\u00e8s de 7 ans, le film de Richard S\u00e9n\u00e9cal \u00a0connait un succ\u00e8s en Ha\u00efti et dans la diaspora Ha\u00eftienne. Malgr\u00e9 l\u2019absence de salle de cin\u00e9ma en Ha\u00efti, l\u2019\u00e9quipe du film a innov\u00e9 pour assurer la distribution du film. Diff\u00e9rents espaces ont servi de salle de cin\u00e9ma improvis\u00e9,\u00a0 h\u00f4tel, club de danse, \u00e9cole pour ne citer que ceux la.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0Nous avons rencontr\u00e9 Richard S\u00e9n\u00e9cal qui nous parle de l’exp\u00e9rience.<\/p>\n

Tipiti<\/strong> Le film We Love you\u00a0 Anne est pr\u00eat depuis longtemps, depuis combien de temps, et qu\u2019est ce qui a retard\u00e9 la sortie\u00a0?<\/em><\/p>\n

\"\"<\/a>
Richard S\u00e9n\u00e9cal<\/figcaption><\/figure>\n

Richard S\u00e9n\u00e9cal\u00a0<\/strong>: Le tournage principal s’est achev\u00e9 en 2007. Le film n’est pas sorti plus t\u00f4t pour diverses raisons. D’abord les salles fermaient une \u00e0 une \u00e0 Port-au-Prince durant cette p\u00e9riode. Le cin\u00e9ma haitien \u00e9tait en crise profonde pour cause de piratage g\u00e9n\u00e9ralis\u00e9 et de mauvaise qualit\u00e9 des productions. L’exploitation \u00e0 Port-au-Prince est tr\u00e8s importante pour un film de ce type, si ce n’est la plus importante. Les producteurs ont \u00e9t\u00e9 pendant longtemps en n\u00e9gociation avec les propri\u00e9taires de salles pour trouver une solution. Le s\u00e9isme de janvier 2010 a encore davantage compliqu\u00e9 la situation. Des salles simplement ferm\u00e9es \u00e9taient d\u00e9sormais d\u00e9truites.<\/p>\n

Tipiti :<\/strong> Malgr\u00e9 l\u2019absence de salle de cin\u00e9ma en Ha\u00efti, vous avez pu sortir le film dans des salles\u00a0improvis\u00e9es, comment est venue cette id\u00e9e. Et comment a \u00e9t\u00e9 l\u2019accueil du public\u00a0?<\/em><\/strong><\/p>\n

RS<\/strong>: L’id\u00e9e n’a rien de g\u00e9niale, on n’avait tout simplement pas le choix. On ne pouvait pas garder ind\u00e9finiment le film dans les tiroirs et, face \u00e0 l’absence de salles, il a fallu improviser. Le risque \u00e9tait \u00e9norme. Le public aurait pu ne pas r\u00e9pondre et les frais d’exploitation s’en sont trouv\u00e9s d\u00e9cupl\u00e9s. Chaque projection est une v\u00e9ritable gageure. Cr\u00e9er la pseudo-logistique d’une salle de cin\u00e9ma l\u00e0 o\u00f9 elle n’existe absolument pas est un pari qu’il faut tenter de gagner \u00e0 chaque fois. Il y a une \u00e9quipe formidable en charge de ce travail titanesque et le public, s\u00e9duit par le film, a accept\u00e9 avec humour les inconv\u00e9nients qui n’ont pas manqu\u00e9 de se produire.<\/p>\n

Tipiti<\/em><\/strong>: Pensez-vous avoir montr\u00e9 la voie \u00e0 certains autres\u00a0 r\u00e9alisateurs\u00a0?<\/em><\/p>\n

RS<\/strong>: \u00c7a je ne sais pas. Dans ce pays voyez-vous, les gens se disent toujours les premiers de quelque chose. M\u00eame quand ils passeraient leur vie \u00e0 vous suivre ou\u00a0 \u00e0 tenter de vous imiter, ils ne l’admettront jamais. Et puis quelle importance ? Je veux souhaiter seulement qu’ils ne refassent pas les m\u00eames erreurs. Le cin\u00e9ma est avant tout un art pas un coffre-fort pourvoyeur d’argent facile. Le public exige la qualit\u00e9, pas la quantit\u00e9. Et la qualit\u00e9 demande comp\u00e9tences et travail. Entre autres choses, ce sont les films pourris qui ont mis le cin\u00e9ma haitien \u00e0 genoux et frein\u00e9\u00a0 l’\u00e9lan qu’il semblait prendre. Alors des films, oui. Pas du n’importe quoi.<\/em><\/strong><\/p>\n

Tipiti<\/em><\/strong> : Par rapport \u00e0 \u201cI love you Anne\u201d, comment est la fr\u00e9quentation des salles\u00a0?<\/em><\/p>\n

RS<\/strong>: Difficile de r\u00e9pondre \u00e0 cette question. Entre les deux films il y a dix ans et deux modes d’exploitation diff\u00e9rents. Et puis tr\u00e8s honn\u00eatement, j’ai oubli\u00e9 les chiffres de l’un et je n’ai pas encore ceux de l’autre qui est encore tr\u00e8s r\u00e9guli\u00e8rement projet\u00e9. Alors difficile de comparer. L’absence de salles a certainement eu un impact. Comme je l’ai dit, cela a tr\u00e8s s\u00e9rieusement augment\u00e9 les frais d’exploitation et probablement substanciellement r\u00e9duit les b\u00e9n\u00e9fices. Mais je ne crois pas que l’impact soit seulement n\u00e9gatif. Par rapport au premier, on a pouss\u00e9 l’exploitation en allant plus loin. Beaucoup plus de villes de province, beaucoup plus de communaut\u00e9s de la diaspora. Et \u00e7a continue. Partout la r\u00e9ponse du public a \u00e9t\u00e9 massive et spectaculaire. Il y a eu quelques rares \u00e9checs d\u00fbs, la plupart du temps, \u00e0 une mauvaise planification mais cela reste l’exception plut\u00f4t que la r\u00e8gle.<\/p>\n

Tipiti<\/em><\/strong> : D\u2019autres films en perspectives\u00a0?<\/em><\/p>\n

RS<\/strong>: Des perspectives et des films en attente il y en a toujours. Certains projets sont l\u00e0 depuis de nombreuses ann\u00e9es. L’obstacle principal est souvent le financement. Mais d’une mani\u00e8re g\u00e9n\u00e9rale je n’aime pas trop parler de projets avant qu’ils ne se concr\u00e9tisent. Cela prend du temps pour qu’ils prennent forme et je ne veux pas passer pour un bluffeur. Il n’est que d’attendre. Chaque chose viendra en son temps.<\/p>\n

Les acteurs Principaux<\/strong><\/span><\/p>\n

Tonton Bicha(Daniel Fils-Aim\u00e9), Nice Simon, Don Kato(Antonio Ch\u00e9ramy),Ti jo( Joseph Zenny Jr), Fresnel Larosili\u00e8re, Gessica Geneus, Reginald Bastien.<\/p>\n

Sc\u00e9nario<\/strong><\/span>\u00a0 Dominique Jean<\/p>\n

R\u00e9alisateur<\/strong><\/span> Richard S\u00e9necal<\/p>\n

We love you Anne\u00a0 continue son chemin, que d\u2019autres films pourraient emprunter en attendant l\u2019ouverture de vraies salles de Cin\u00e9ma.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cWe love you Anne\u201d\u00a0 \u00a0est enfin disponible pour le grand public. Dans les tiroirs pendant…<\/p>\n

Read the postCin\u00e9ma :”We love you Anne”, dans des salles improvis\u00e9es !<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[],"tags":[],"class_list":["post-4967","post","type-post","status-publish","format-standard","hentry","excerpt","zoom","full-without-featured","even","excerpt-0"],"yoast_head":"\nCin\u00e9ma :"We love you Anne", dans des salles improvis\u00e9es ! - Tipiti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tipiti.biz\/site\/2013\/09\/06\/cinema-we-love-you-anne-dans-des-salles-improvisees\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9ma :"We love you Anne", dans des salles improvis\u00e9es ! - Tipiti\" \/>\n<meta property=\"og:description\" content=\"\u201cWe love you Anne\u201d\u00a0 \u00a0est enfin disponible pour le grand public. 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