{"id":6057,"date":"2014-04-30T12:08:36","date_gmt":"2014-04-30T16:08:36","guid":{"rendered":"https:\/\/tipiti.biz\/site\/?p=6057"},"modified":"2017-12-28T13:52:44","modified_gmt":"2017-12-28T18:52:44","slug":"peinture-dayiti","status":"publish","type":"post","link":"https:\/\/tipiti.biz\/site\/2014\/04\/30\/peinture-dayiti\/","title":{"rendered":"Peinture d’Ayiti"},"content":{"rendered":"
\"peinture_002\"<\/a>
Tableaux expos\u00e9s dans une rue \u00e0 P\u00e9tion-Ville<\/figcaption><\/figure>\n

Comme chez quasiment tous les peuples, la peinture, comme art, est pr\u00e9sente dans la vie ayitienne. Dans notre pays, il fait m\u00eame partie de notre d\u00e9cor quotidien. Si nos principales villes regorgent de galeries o\u00f9 s\u2019exposent les toiles de qualit\u00e9 (tableaux de c\u00e9l\u00e9brit\u00e9s, confectionn\u00e9s avec du mat\u00e9riel professionnel), les rues de certains quartiers ainsi que beaucoup de nos v\u00e9hicules de transport en commun sont d\u00e9cor\u00e9s d\u2019\u0153uvres d\u2019artistes moins c\u00f4t\u00e9s, r\u00e9alis\u00e9es avec du mat\u00e9riel bon march\u00e9, mais n’effa\u00e7ant gu\u00e8re la technique des artistes.<\/p>\n

Sur ces fresques, tant celles de nos galeries que les autres s’exposant dans nos rues, c\u2019est toute notre vie et notre histoire qui se revivent. Elles t\u00e9moignent de toute notre m\u00e9moire de peuple. Et plus encore\u2026<\/p>\n

Des sc\u00e8nes de la bataille d\u2019ind\u00e9pendance, des portraits de nos h\u00e9ros, de nos \u00e9toiles de la musique ou du foot; des souvenirs de nos trag\u00e9dies; des repr\u00e9sentations de nos paysages; des images de nature morte: des paniers de fruits, des bouquets de fleurs, des oiseaux, des femmes nues.<\/p>\n

Mais aussi des dragons, des animaux de la jungle, des for\u00eats africaines, des vedettes internationales, d\u2019hommes politiques du monde; tels qu’ Obama, Mandela, etc\u2026<\/p>\n

Et cette peinture ayitienne ne date pas d\u2019hier.<\/p>\n

Son histoire a d\u00e9but\u00e9 bien avant l\u2019arriv\u00e9e des europ\u00e9ens sur l\u2019\u00eele. Les Ta\u00efnos nous ont bien laiss\u00e9 tout un h\u00e9ritage, notamment les v\u00eav\u00ea<\/em>, <\/a>pour certains vodouisants (bien que d’autres les croient plut\u00f4t venus d’Afrique). Puis est venu le temps de la colonisation qui induira la rencontre sur ce brin de terre de l\u2019Afrique et l\u2019Europe. Il existe m\u00eame de s\u00e9rieux indices qui pencheraient pour une pr\u00e9sence des Ta\u00efnos au m\u00eame moment, ce qui nous ram\u00e8nerait donc \u00e0 une cohabitation et un \u00e9change entre les arts Africains, Ta\u00efnos et Europ\u00e9ens.<\/p>\n

Victime, comme toutes les autres branches de notre art, de l\u2019isolement politique du pays, officialis\u00e9 par ce Congr\u00e8s de Panama en 1826, mais amorc\u00e9 depuis l\u2019ind\u00e9pendance, la peinture ayitienne se referma sur elle-m\u00eame et n\u2019\u00e9volua que tr\u00e8s peu. D\u2019apr\u00e8s Michel Philippe Lerebours<\/a>, dans le premier tome de \u00abHa\u00efti et ses peintres\u00bb, les \u00abrares nouvelles valeurs…introduites dans le milieu [\u2026] ne parviendront pas toujours \u00e0 s\u2019int\u00e9grer dans la r\u00e9alit\u00e9\u00bb.<\/p>\n

La peinture ne mourut pas pour autant. Elle resta tr\u00e8s pr\u00e9sente dans les hauts lieux de la politique et de la nouvelle aristocratie. La plupart des peintres des d\u00e9buts de la r\u00e9publique auraient d\u2019ailleurs v\u00e9cu presqu\u2019exclusivement de leur art, r\u00e9alisant de nombreux portraits. Sous le r\u00e8gne de l\u2019Empereur Faustin 1er, on retrouve m\u00eame des peintres officiels, anobli par le monarque.<\/p>\n

Apr\u00e8s le second Empire, vint l’\u00e9poque que certains qualifient de \u00abLa belle \u00e9poque ha\u00eftienne\u00bb. \u00c7\u2019est avec Nissage Saget que les arts vont prendre leur nouvel envol avec une prolif\u00e9ration des \u00e9coles d\u2019arts, notamment de peinture.<\/p>\n

Puis, suite \u00e0 la r\u00e9volte culturelle de 1927-1928, vient la r\u00e9sistance contre l\u2019occupation am\u00e9ricaine. La peinture indig\u00e9niste, dont l\u2019origine est li\u00e9e \u00e0 un peintre noir am\u00e9ricain William Scott, vit le jour sous l\u2019\u00e9gide de la Revue Indig\u00e8ne et du livre Ainsi Parla l\u2019Oncle<\/em><\/a> du c\u00e9l\u00e8bre \u00e9crivain Jean Price Mars<\/a>.<\/p>\n

En f\u00e9vrier 1943, arrive en Ayiti, Dewitt Peters, dans le cadre d\u2019une coop\u00e9ration culturelle entre le pays et les \u00c9tats-Unis d\u2019Am\u00e9rique. Il cr\u00e9e le Centre d\u2019art qui contribuera \u00e9norm\u00e9ment au d\u00e9veloppement et \u00e0 l\u2019\u00e9panouissement de la peinture ayitienne. C\u2019est \u00e0 partir de l\u00e0 que la peinture d\u2019Ayiti prend son envol pour s\u2019imposer sans difficult\u00e9 aux \u00c9tats-Unis d\u2019Am\u00e9rique et en Europe.<\/p>\n

Cette peinture et son histoire sont, par contre, peu connues de la soci\u00e9t\u00e9 ayitienne. Certes, les initi\u00e9s et les vrais amateurs d\u2019arts sont familiers aux noms tels que: Ector Hyppolite, Laurenceau ou Dodard, mais la plupart d\u2019entre nous ignorent totalement l\u2019importance et l\u2019histoire de nos peintres.<\/p>\n

Cette nouvelle rubrique que propose Tipiti, essaiera de mettre en lumi\u00e8re cet art totalement int\u00e9gr\u00e9 \u00e0 l\u2019histoire et \u00e0 la vie du peuple d\u2019Ayiti.<\/p>\n

Tilou Jean Paul<\/a> | <\/span>Cr\u00e9ez votre badge<\/a>
\n\"\"<\/a>
\nTwitter (@TilouJeanPaul<\/a>, @Tipitibiz<\/a>)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Comme chez quasiment tous les peuples, la peinture, comme art, est pr\u00e9sente dans la vie…<\/p>\n

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