{"id":8196,"date":"2019-07-31T14:04:18","date_gmt":"2019-07-31T18:04:18","guid":{"rendered":"http:\/\/tipiti.biz\/site\/?p=8196"},"modified":"2019-08-09T14:46:28","modified_gmt":"2019-08-09T18:46:28","slug":"quel-avenir-pour-le-compas-direct","status":"publish","type":"post","link":"https:\/\/tipiti.biz\/site\/2019\/07\/31\/quel-avenir-pour-le-compas-direct\/","title":{"rendered":"Quel avenir pour le Compas-Direct?"},"content":{"rendered":"\n

Derni\u00e8rement, j\u2019ai assist\u00e9 \u00e0 un d\u00e9bat – assez r\u00e9current d\u2019ailleurs \u2013 sur les origines r\u00e9elles du rythme national d\u2019Ha\u00efti : le Compas. Beaucoup n\u2019admettent pas que Nemours Jean-Baptiste en soit le \u00ab p\u00e8re \u00bb ni qu\u2019il c\u00e9l\u00e8bre 64 ans d\u2019existence cette ann\u00e9e. Et ce n\u2019est pas la proposition de Loi vot\u00e9e au S\u00e9nat de la R\u00e9publique ce mardi 16 juillet 2019, consacrant le mois de juillet “mois du Konpa”, qui y changera grand-chose.<\/p>\n\n\n\n

\"\"
Retransmission du Concert des 50 ans du Groupe phare du Compas, Le Tabou Combo<\/figcaption><\/figure>\n\n\n\n

Cependant, \u00e0 investir tant de temps et d\u2019\u00e9nergie dans ce d\u00e9bat, on finit par passer \u00e0 c\u00f4t\u00e9 d\u2019un autre plus urgent. Si un doute, aussi minime qu\u2019il soit, subsiste encore sur les origines du Compas, le reste de sa trajectoire n\u2019apparait pas rassurant. Mettons le doigt profond\u00e9ment dans la plaie : o\u00f9 va le Compas finalement ?<\/strong><\/p>\n\n\n\n

Si l\u2019on en croit plus d\u2019un, le Compas s\u2019internationalise avec la nouvelle g\u00e9n\u00e9ration. Nos groupes jouent de plus en plus \u00e0 l\u2019\u00e9tranger pour un public compos\u00e9 d\u2019Ha\u00eftiens, mais aussi d\u2019une grande part d\u2019\u00e9trangers. La production de nombreux groupes ha\u00eftiens \u00ab de cette g\u00e9n\u00e9ration \u00bb est tr\u00e8s consomm\u00e9e et demand\u00e9e dans les Antilles, en Afrique, en Europe, en Am\u00e9rique du Nord\u2026 On connait sur la pointe des l\u00e8vres, en Martinique et en Guadeloupe, des tubes de Carimi, Harmonik\u2026 Pour ne citer que ceux-l\u00e0 ! <\/p>\n\n\n\n

\u00abLa nouvelle g\u00e9n\u00e9ration a compl\u00e8tement rat\u00e9 les opportunit\u00e9s offertes par les technologies\u00bb<\/h3>\n\n\n\n

Bon, bref ! Cessons de mentir \u00e0 nous-m\u00eames ! Cet exploit n\u2019est pas du tout g\u00e9n\u00e9rationnel. Tabou Combo, Tropicana, l\u2019Orchestre Septentrional d\u2019Ha\u00efti, Coup\u00e9 Clou\u00e9, Magnum Band\u2026 Tous ont berc\u00e9 les Cara\u00efbes, l\u2019Afrique, l\u2019Europe et l\u2019Am\u00e9rique du Nord; la diaspora ha\u00eftienne surtout, mais aussi des \u00e9trangers cosmopolites friands de bonne musique. Et depuis toujours, les m\u00eames probl\u00e8mes d\u2019ordre structurel pour l\u2019exploitation efficace du Compas sur le terroir et son \u00ab internationalisation \u00bb ont toujours exist\u00e9. Pire encore, la nouvelle g\u00e9n\u00e9ration a compl\u00e8tement rat\u00e9 les opportunit\u00e9s uniques que lui offrent sur un plateau d\u2019argent les avanc\u00e9es technologiques.<\/p>\n\n\n\n

Il y a un retard consid\u00e9rable entre l\u2019industrie musicale dominicaine – par exemple \u2013 avec celle d\u2019Ha\u00efti. Pendant que Romeo Santos<\/a> jouit des structures en place, de l\u2019autre c\u00f4t\u00e9 de la fronti\u00e8re pour exploiter \u00e0 fonds les march\u00e9s national et international, en Ha\u00efti nous n\u2019allons nulle part, et nous nous leurrons avec des petits exploits-mirage. M\u00eame cas pour les artistes des Antilles fran\u00e7aises ou encore ceux des industries musicales africaines par rapport aux n\u00f4tres. Et ce n\u2019est pas une question de rythme ni de langue. Encore moins \u00abl\u2019isolement culturel d\u2019Ha\u00efti \u00bb par la communaut\u00e9 internationale pour se venger de l\u2019affront inflig\u00e9 en prenant notre ind\u00e9pendance. Sornettes !<\/p>\n\n\n\n

\"\"
Nemours Jean-Baptiste, cr\u00e9ateur du Compas-Direct<\/figcaption><\/figure>\n\n\n\n

Un fait est s\u00fbr, au tempo o\u00f9 \u00e7a va, le Compas finira par mourir ! Pourquoi ? Pour diverses raisons qui se d\u00e9clinent dans les v\u00e9rit\u00e9s inavouables cach\u00e9es dans les r\u00e9ponses \u00e0 ces questions, et tant d\u2019autres encore : A quel point peut-on esp\u00e9rer jouir des b\u00e9n\u00e9fices d\u2019une \u0153uvre musicale et de l\u2019exploitation de ses droits en Ha\u00efti? Comment fonctionnent (encore) l\u2019industrie du spectacle, le circuit de distribution des \u0153uvres musicales, la presse musicale etc. ? Et \u00e0 qui est-ce r\u00e9ellement profitable ? Quels sont les m\u00e9canismes d\u2019utilisation de la technologie dans l\u2019exploitation de la musique en Ha\u00efti conventionnellement admis ? Qui effectuent les \u00e9tudes de march\u00e9 pour orienter l\u2019industrie musicale ha\u00eftienne (tellement clanique), tant sur le plan local qu\u2019international ?  Quels sont les crit\u00e8res standards internationaux pour \u00e9voluer et profiter du march\u00e9 global que nous appliquons ? Quelles sont les structures mises en place pour rep\u00e9rer, encadrer, former et orienter les jeunes talents ? Sur quelles bases th\u00e9oriques et rythmiques se d\u00e9veloppent, en fait, la philosophie dite \u00ab \u00e9volutive \u00bb du Konpa ? Quels sont les r\u00e9f\u00e9rents du Konpa et qu\u2019est-ce qui garantit la p\u00e9rennit\u00e9 de son essence et de son identit\u00e9 \u00e0 travers le temps? <\/p>\n\n\n\n

Ouf ! Admettons-le les amis ! Le Compas ne va nulle part. Et comme pour changer de cap, il faut un \u00ab chita pale jeneral \u00bb au sein du HMI, l\u2019avenir para\u00eet vraiment sombre. <\/p>\n","protected":false},"excerpt":{"rendered":"

Un fait est s\u00fbr, au tempo o\u00f9 \u00e7a va, le Compas finira par mourir pour diverses raisons qui se d\u00e9clinent dans les v\u00e9rit\u00e9s inavouables cach\u00e9es dans les r\u00e9ponses \u00e0 ces questions…<\/p>\n

Read the postQuel avenir pour le Compas-Direct?<\/span><\/a><\/div>\n","protected":false},"author":592057,"featured_media":8197,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[5,23,8,4],"tags":[26,25,30,28,29],"class_list":["post-8196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analyse","category-en-une","category-musique","category-publication","tag-compas","tag-compas-direct","tag-hmi","tag-konpa","tag-nemours","excerpt","zoom","full-without-featured","even","excerpt-0"],"yoast_head":"\nQuel avenir pour le Compas-Direct? - Tipiti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tipiti.biz\/site\/2019\/07\/31\/quel-avenir-pour-le-compas-direct\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quel avenir pour le Compas-Direct? 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